The Year Horror Killed It
In so many ways, the box office has been an incredibly scary place this year.
In so many ways, the box office has been an incredibly scary place this year.
This summer, superheroes didn’t just save the day – they dominated every cinema screen across the globe.
When you think of A24’s romance releases, Past Lives (dir. Celine Song) and Moonlight (dir. Barry Jenkins) likely come rushing to your mind.
I adore the cinema. I know that’s not exactly a revolutionary statement in a film magazine, but the cinema has been my happy place ever since I first set foot into a ratty old Queens AMC in 2004.
The film world was shaken last week when news broke that legendary filmmaker and actor Rob Reiner and his wife, Michele Singer Reiner, had been found dead in their Los Angeles home.
This year at the cinema allowed us to return to, reimagine and revitalize stories we’ve grown to know and love.
This year has seen an abundance of book adaptations. Some were highly anticipated, while others may have slipped under your radar.
Year on year, physical media is making its way back into people’s lives. Vinyls had their boom comeback, with VHS and even cassettes having a quiet resurgence, with artists creating new artwork and those tech wizards lovingly restoring what we all lost from our youth.
The Late Nite Picture Show team have voted for their 2025 Films of the Year.