A Love Letter to Sentimental Value
There are films that stay with you for days, films that linger quietly in the mind long after the credits roll, whispering truths about life you didn’t know you needed to hear. Sentimental Value is one of them. From the very first frame, it asserts itself not with fireworks or spectacle, but with a stillness so precise it almost feels like breathing. The camera does not intrude; it observes, with gentle insistence, the intimate fractures and lingering warmth of a family caught between love and estrangement.
A Familiar Tune: Hamnet and ‘On The Nature Of Daylight’
*This article contains major spoilers for Hamnet*
When you’ve done a good job, there’s no need to overdo it. This is a lesson that Hamnet would have done well to learn. Chloé Zhao’s adaptation of Maggie O’Farrell’s novel has rightly been tagged as this awards season’s weepie of choice, but it has over-egged the recipe. A film about the death of William Shakespeare’s young son is bound to invite an emotional response, but it goes to extreme lengths to ensure that response. Hamnet is a three-hanky weepie, but when the sound of a familiar leitmotif begins creeping in at a critical juncture, it threatens to undermine every attempt up to that point to get the audience blubbing.
The Secret Ingredient: How to Build an International Feature Film
Ushering in a new era at the 92nd Academy Awards, Bong Joon-ho’s Parasite (2019) was the first non-English language film to win Best Picture and remains the only film to have won both the Academy’s top prize and the statue for Best International Feature Film in the category’s 70-year history.
What Does the Academy Want from The Best Actress?
The Best Actress race this year leading up to the 98th Academy Awards has mostly felt like a race between two women, with an inconsistent bunch of other actors trailing far behind. From a surprise nomination for Eva Victor at the Golden Globes to a surprise snub of Chase Infiniti for the Oscar, despite leading the Best Picture frontrunner, it’s been a chaotic year. But the biggest shock came from Kate Hudson’s nomination, the sole for her film, and one that followed months of steady momentum for the star. Pundits don’t think Hudson’s chances are strong, and her inclusion has puzzled many.
What the Oscars Reveal About Our Emotional Hunger
Awards season is rarely accused of sentimentality. Yet this year’s most celebrated films, vastly different in style, scale, and origin, converge on a surprisingly unfashionable idea: family, in all its fractured and imperfect forms, is the last place where emotional truth can be tested. While the phrase family values has long been politicized and devalued, cinema this season quietly reclaims it, not as moral instruction, but as lived experience, as intimacy surviving grief, estrangement, and loss.
Sold Success: The Marketing Behind Award Season Campaigns
By the time a film is holding an award, it has already survived a far tougher contest: the awards campaign. Where strategic screenings and press runs matter more than surprise victories. What audiences see as a celebratory sprint is really the final stretch of a long marketing marathon – where perception can rival performance.
Paul Thomas Anderson’s Road to One Battle After Another
Few contemporary filmmakers command the level of reverence afforded to Paul Thomas Anderson. Over the past three decades, he has built one of the most ambitious and unpredictable filmographies in modern American cinema.









