Books on the Big Screen: A Year in Film Adaptations
This year has seen an abundance of book adaptations. Some were highly anticipated, while others may have slipped under your radar.
This year has seen an abundance of book adaptations. Some were highly anticipated, while others may have slipped under your radar.
Sickness reared its itchy, swollen head in three of this year’s Cannes Film Festival premieres, all featuring some kind of plague
Director Paul Feig delivers twists and turns aplenty in his adaptation of Freida McFadden’s thriller novel of the same name, The Housemaid.
Year on year, physical media is making its way back into people’s lives. Vinyls had their boom comeback, with VHS and even cassettes having a quiet resurgence, with artists creating new artwork and those tech wizards lovingly restoring what we all lost from our youth.
The Late Nite Picture Show team have voted for their 2025 Films of the Year.
The second issue of Late Nite Picture Show is out now.
Directed by Mona Fastvold and co-written with Brady Corbet, The Testament Ann Lee is unlike anything you’ve seen a very long time.
Yorgos Lanthimos may well be a filmmaking weirdo, but he’s our filmmaking weirdo.
Covering the London Film Festival has been one of the greatest pleasures I have ever experienced.
It’s become no extraordinary occurrence for British feature debuts to make waves at international film festivals (think Charlotte Regan’s Scrapper or Molly Manning Walker’s How to Have Sex, Luna Carmoon’s Hoard or more recently, Harris Dickinson’s Urchin), but there is nowhere better to survey the next round of standout British debuts than the London Film Festival. This year, the best debuts took us from Lagos to Luton, dealing with violent prisons and BDSM-biker gangs, with many offering a fresh approach to cinematic form.