The Future of British Film: The Breakout Debuts from LFF

The Future of British Film: The Breakout Debuts from LFF

It’s become no extraordinary occurrence for British feature debuts to make waves at international film festivals (think Charlotte Regan’s Scrapper or Molly Manning Walker’s How to Have Sex, Luna Carmoon’s Hoard or more recently, Harris Dickinson’s Urchin), but there is nowhere better to survey the next round of standout British debuts than the London Film Festival. This year, the best debuts took us from Lagos to Luton, dealing with violent prisons and BDSM-biker gangs, with many offering a fresh approach to cinematic form.